Correct Notes for C## in Harmonic Minor Scale












3














Is the following scale correct for C## Harmonic Minor?



C##, D##, E#, F##, G##, A#, B#



I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.






theory scales accidentals







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    3














    Is the following scale correct for C## Harmonic Minor?



    C##, D##, E#, F##, G##, A#, B#



    I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.






    theory scales accidentals







    share|improve this question









    New contributor




    Basti Opa is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
    Check out our Code of Conduct.























      3












      3








      3







      Is the following scale correct for C## Harmonic Minor?



      C##, D##, E#, F##, G##, A#, B#



      I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.






      theory scales accidentals







      share|improve this question









      New contributor




      Basti Opa is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.











      Is the following scale correct for C## Harmonic Minor?



      C##, D##, E#, F##, G##, A#, B#



      I read on a good music theory page and they had B## as 7th note in the key, so I was wondering, but I'm pretty sure mine is correct with B#.






      theory scales accidentals




      theory scales accidentals






      share|improve this question









      New contributor




      Basti Opa is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.











      share|improve this question









      New contributor




      Basti Opa is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
      Check out our Code of Conduct.









      share|improve this question




      share|improve this question








      edited 3 hours ago









      Richard

      37.9k684162




      37.9k684162






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      Basti OpaBasti Opa

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      Check out our Code of Conduct.






















          1 Answer
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          4














          Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



          It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




          Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




          So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




          
C♯ D♯ E F♯ G♯ A B♯ C♯


          Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




          
Cx Dx E♯ Fx Gx A♯ Bx Cx


          Or, maybe you'd rather start with the C harmonic minor scale:




          
C D E♭ F G A♭ B C


          In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



          This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




          
D F♯ A


          And just add a sharp to each pitch:




          
D♯ Fx A♯





          share|improve this answer



















          • 1




            Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
            – Basti Opa
            3 hours ago











          Your Answer








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          active

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          4














          Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



          It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




          Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




          So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




          
C♯ D♯ E F♯ G♯ A B♯ C♯


          Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




          
Cx Dx E♯ Fx Gx A♯ Bx Cx


          Or, maybe you'd rather start with the C harmonic minor scale:




          
C D E♭ F G A♭ B C


          In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



          This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




          
D F♯ A


          And just add a sharp to each pitch:




          
D♯ Fx A♯





          share|improve this answer



















          • 1




            Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
            – Basti Opa
            3 hours ago
















          4














          Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



          It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




          Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




          So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




          
C♯ D♯ E F♯ G♯ A B♯ C♯


          Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




          
Cx Dx E♯ Fx Gx A♯ Bx Cx


          Or, maybe you'd rather start with the C harmonic minor scale:




          
C D E♭ F G A♭ B C


          In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



          This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




          
D F♯ A


          And just add a sharp to each pitch:




          
D♯ Fx A♯





          share|improve this answer



















          • 1




            Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
            – Basti Opa
            3 hours ago














          4












          4








          4






          Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



          It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




          Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




          So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




          
C♯ D♯ E F♯ G♯ A B♯ C♯


          Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




          
Cx Dx E♯ Fx Gx A♯ Bx Cx


          Or, maybe you'd rather start with the C harmonic minor scale:




          
C D E♭ F G A♭ B C


          In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



          This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




          
D F♯ A


          And just add a sharp to each pitch:




          
D♯ Fx A♯





          share|improve this answer














          Close; you actually do need Bx (B doublesharp) instead of just B♯. B♯ would be the minor seventh above Cx, and since harmonic minor has the major seventh (also called the leading tone), it must be Bx. Your scale is actually the Cx natural minor scale.



          It's hard for me to imagine an instance where you might need the Cx (x being a doublesharp) harmonic minor scale, but there's one quick trick when dealing with difficult accidentals:




          Spell it without the difficult accidentals, and then add the accidental(s) back to each pitch.




          So instead of spelling the Cx harmonic minor scale, let's instead spell the C♯ harmonic minor scale, which is much easier:




          
C♯ D♯ E F♯ G♯ A B♯ C♯


          Since that scale starts with C♯ and we want Cx, let's just add a sharp to each pitch, because that's what we do to get from C♯ to Cx:




          
Cx Dx E♯ Fx Gx A♯ Bx Cx


          Or, maybe you'd rather start with the C harmonic minor scale:




          
C D E♭ F G A♭ B C


          In which case we would add two sharps to each pitch. E♭ and A♭ would then pass through E♮/A♮ before proceeding to E♯/A♯.



          This trick works for anything: scales, intervals, chords, you name it. So if you ever find yourself having trouble spelling a D♯ major triad, just think of a D major triad instead:




          
D F♯ A


          And just add a sharp to each pitch:




          
D♯ Fx A♯






          share|improve this answer














          share|improve this answer



          share|improve this answer








          edited 4 hours ago

























          answered 4 hours ago









          RichardRichard

          37.9k684162




          37.9k684162








          • 1




            Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
            – Basti Opa
            3 hours ago














          • 1




            Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
            – Basti Opa
            3 hours ago








          1




          1




          Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
          – Basti Opa
          3 hours ago




          Thx mate. I just took a second look into the harmonic minor and I read over the thing that the 7th in key really is just one Semitone before the tonic. I had noted an Integer Notation of { 0, 2, 3, 5, 7, 8, 10 } where infact it is { 0, 2, 3, 5, 7, 8, 11 }
          – Basti Opa
          3 hours ago










          Basti Opa is a new contributor. Be nice, and check out our Code of Conduct.










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