Translating 18th Century German - GOttes and GOTTES












0















I am working on texts from the composer Telemann and have come across an eighteenth-century text about the writer, Fabricius. In a single paragraph both GOttes and GOTTES appear. I take it that both would be translated as 'God's' but do now understand the differences in orthography and the implications for translation. I'd be grateful for help and advice.










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  • This is actually a question about the possible nuances in German.

    – Andrew Leach
    1 hour ago






  • 1





    You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

    – mtwde
    16 mins ago
















0















I am working on texts from the composer Telemann and have come across an eighteenth-century text about the writer, Fabricius. In a single paragraph both GOttes and GOTTES appear. I take it that both would be translated as 'God's' but do now understand the differences in orthography and the implications for translation. I'd be grateful for help and advice.










share|improve this question















migrated from english.stackexchange.com 1 hour ago


This question came from our site for linguists, etymologists, and serious English language enthusiasts.



















  • This is actually a question about the possible nuances in German.

    – Andrew Leach
    1 hour ago






  • 1





    You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

    – mtwde
    16 mins ago














0












0








0








I am working on texts from the composer Telemann and have come across an eighteenth-century text about the writer, Fabricius. In a single paragraph both GOttes and GOTTES appear. I take it that both would be translated as 'God's' but do now understand the differences in orthography and the implications for translation. I'd be grateful for help and advice.










share|improve this question
















I am working on texts from the composer Telemann and have come across an eighteenth-century text about the writer, Fabricius. In a single paragraph both GOttes and GOTTES appear. I take it that both would be translated as 'God's' but do now understand the differences in orthography and the implications for translation. I'd be grateful for help and advice.







history






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edited 15 mins ago









user unknown

17.4k33283




17.4k33283










asked 2 hours ago







D Dorwick











migrated from english.stackexchange.com 1 hour ago


This question came from our site for linguists, etymologists, and serious English language enthusiasts.









migrated from english.stackexchange.com 1 hour ago


This question came from our site for linguists, etymologists, and serious English language enthusiasts.















  • This is actually a question about the possible nuances in German.

    – Andrew Leach
    1 hour ago






  • 1





    You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

    – mtwde
    16 mins ago



















  • This is actually a question about the possible nuances in German.

    – Andrew Leach
    1 hour ago






  • 1





    You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

    – mtwde
    16 mins ago

















This is actually a question about the possible nuances in German.

– Andrew Leach
1 hour ago





This is actually a question about the possible nuances in German.

– Andrew Leach
1 hour ago




1




1





You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

– mtwde
16 mins ago





You should provide a picture or link to your text. It's nearly impossible to answer your question without a context. It will be just guessing.

– mtwde
16 mins ago










1 Answer
1






active

oldest

votes


















2














There was a habit of writing the name of god with not one but more capital letters in order to honour him/her/it particularly and distinguish the spelling from how ordinary people are spelled. Therefore GOtt, or, with even more distinction (I suppose here): GOTT.



I have seen this also in English.



There are no implications for translation. It is simply, as you correctly say, God's. (Note the capital letter in English.)






share|improve this answer


























  • As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

    – LangLangC
    1 hour ago











  • @LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

    – Christian Geiselmann
    1 hour ago













  • Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

    – LangLangC
    1 hour ago













  • @LangLangC Scarcity of capital letters in old lead typesetting typecases?

    – Christian Geiselmann
    1 hour ago








  • 1





    Indeed, we should honour the COntext.

    – Christian Geiselmann
    1 hour ago











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1 Answer
1






active

oldest

votes








1 Answer
1






active

oldest

votes









active

oldest

votes






active

oldest

votes









2














There was a habit of writing the name of god with not one but more capital letters in order to honour him/her/it particularly and distinguish the spelling from how ordinary people are spelled. Therefore GOtt, or, with even more distinction (I suppose here): GOTT.



I have seen this also in English.



There are no implications for translation. It is simply, as you correctly say, God's. (Note the capital letter in English.)






share|improve this answer


























  • As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

    – LangLangC
    1 hour ago











  • @LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

    – Christian Geiselmann
    1 hour ago













  • Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

    – LangLangC
    1 hour ago













  • @LangLangC Scarcity of capital letters in old lead typesetting typecases?

    – Christian Geiselmann
    1 hour ago








  • 1





    Indeed, we should honour the COntext.

    – Christian Geiselmann
    1 hour ago
















2














There was a habit of writing the name of god with not one but more capital letters in order to honour him/her/it particularly and distinguish the spelling from how ordinary people are spelled. Therefore GOtt, or, with even more distinction (I suppose here): GOTT.



I have seen this also in English.



There are no implications for translation. It is simply, as you correctly say, God's. (Note the capital letter in English.)






share|improve this answer


























  • As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

    – LangLangC
    1 hour ago











  • @LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

    – Christian Geiselmann
    1 hour ago













  • Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

    – LangLangC
    1 hour ago













  • @LangLangC Scarcity of capital letters in old lead typesetting typecases?

    – Christian Geiselmann
    1 hour ago








  • 1





    Indeed, we should honour the COntext.

    – Christian Geiselmann
    1 hour ago














2












2








2







There was a habit of writing the name of god with not one but more capital letters in order to honour him/her/it particularly and distinguish the spelling from how ordinary people are spelled. Therefore GOtt, or, with even more distinction (I suppose here): GOTT.



I have seen this also in English.



There are no implications for translation. It is simply, as you correctly say, God's. (Note the capital letter in English.)






share|improve this answer















There was a habit of writing the name of god with not one but more capital letters in order to honour him/her/it particularly and distinguish the spelling from how ordinary people are spelled. Therefore GOtt, or, with even more distinction (I suppose here): GOTT.



I have seen this also in English.



There are no implications for translation. It is simply, as you correctly say, God's. (Note the capital letter in English.)







share|improve this answer














share|improve this answer



share|improve this answer








edited 1 hour ago

























answered 1 hour ago









Christian GeiselmannChristian Geiselmann

20.9k1560




20.9k1560













  • As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

    – LangLangC
    1 hour ago











  • @LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

    – Christian Geiselmann
    1 hour ago













  • Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

    – LangLangC
    1 hour ago













  • @LangLangC Scarcity of capital letters in old lead typesetting typecases?

    – Christian Geiselmann
    1 hour ago








  • 1





    Indeed, we should honour the COntext.

    – Christian Geiselmann
    1 hour ago



















  • As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

    – LangLangC
    1 hour ago











  • @LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

    – Christian Geiselmann
    1 hour ago













  • Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

    – LangLangC
    1 hour ago













  • @LangLangC Scarcity of capital letters in old lead typesetting typecases?

    – Christian Geiselmann
    1 hour ago








  • 1





    Indeed, we should honour the COntext.

    – Christian Geiselmann
    1 hour ago

















As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

– LangLangC
1 hour ago





As for most writers there would be "only one god", why are these two variants used in one para? How can all-caps be even more distinctive?

– LangLangC
1 hour ago













@LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

– Christian Geiselmann
1 hour ago







@LangLangC Like Soviet generals: the more brass stuck to the chest, the more honour.

– Christian Geiselmann
1 hour ago















Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

– LangLangC
1 hour ago







Sure, but why not just stick to max-brass Breschnew-style (GOTTES), in the same para?

– LangLangC
1 hour ago















@LangLangC Scarcity of capital letters in old lead typesetting typecases?

– Christian Geiselmann
1 hour ago







@LangLangC Scarcity of capital letters in old lead typesetting typecases?

– Christian Geiselmann
1 hour ago






1




1





Indeed, we should honour the COntext.

– Christian Geiselmann
1 hour ago





Indeed, we should honour the COntext.

– Christian Geiselmann
1 hour ago


















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